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THE BLACK BOOK

Early access to new editions, The Vault, and everything the House keeps for those who understand why.

Ferrari 555 Supersqualo (1955) — The Nose

Quentin Martinez

Only two Ferrari 555 Supersqualos are known to survive. Chassis 555/1 was driven by Mike Hawthorn and Nino Farina — two World Champions in the same car. It scored World Championship points at Spa-Francorchamps in 1955 and was sold by Ferrari at the end of a season dominated entirely by Mercedes-Benz.

The Supersqualo was the last of Aurelio Lampredi’s four-cylinder Formula One cars. The extended bodywork that gave the car its name — Super Shark — was designed to improve on the 553 Squalo, but the drivers never trusted it. Paul Frère said it wanted to plough straight on at every hairpin. By 1956, Ferrari had moved to the Lancia-Ferrari D50 and the Lampredi four was finished.

A limited edition fine art photograph of the Ferrari 555 Supersqualo nose detail, signed and numbered, printed on museum-grade paper. Made in Italy.

Limited Edition

Museum-Grade Paper

Made in Italy


Format:
Size:
Size Guide

FINE ART PAPER PRINTS: Available in three sizes:

  • A3 (30 × 42 cm)
  • A2 (42 × 60 cm)
  • Statement Piece Size(85 × 60 cm)

You can choose unframed (print only) or framed. Framed pieces are finished in a black frame with acrylic glazing (plexiglass).
The framed option adds a small outer border beyond the print size.

ALUMINUM PRINTS: Offered in two large formats:

  • Collector’s Piece Size (approx. 100 cm wide)
  • Statement Piece Size (approx. 140 cm wide)

Height varies by artwork — please refer to the product images for the exact size of the piece you’re viewing. Printed on a 3 mm aluminum panel, finished on white base or brushed aluminum, depending on what best elevates the image.

Aluminum Display Notes: For large formats, we recommend leaning the piece. If wall-mounted, use professional hardware suitable for the weight and surface.

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Sale price€149,00

Dispatched within 5–7 days · Free shipping Europe

Ferrari 555 Supersqualo 1955 fine art photograph unframed on Hahnemühle museum-grade cotton paper
Ferrari 555 Supersqualo (1955) — The Nose Sale price€149,00

FINE ART

Edition Details

ONLY 49 PRINTS

Each photograph is part of a strictly limited edition of 49 — shared across all sizes and formats combined. Every certificate reads 1 of 49. The edition is not divided by size or format. Every buyer owns the same piece.

FINE ART PHOTOGRAPH

Printed on Hahnemühle Photo Rag 308gr — a 100% cotton museum-grade paper from one of the world's oldest paper mills, founded in 1584. Rich tones, crisp detail, and a calm matte surface that holds the photograph without reflection.

PRINT OR FRAMED

Unframed prints ship flat in rigid protective packaging, ready for your chosen frame. Framed editions are presented in a hand-painted black gallery frame with plexiglass glazing — the standard used by galleries worldwide for safe transport.

STILL MOTION SIGNATURE

ONLY TWO FERRARI 555 SUPERSQUALOS ARE KNOWN TO SURVIVE. LAMPREDI’S LAST FOUR-CYLINDER FORMULA ONE CAR. DRIVEN BY HAWTHORN AND FARINA — TWO WORLD CHAMPIONS IN THE SAME MACHINE.

Ferrari Tipo 555

THE LAST SHARK

The Ferrari 555 Supersqualo was the final evolution of Aurelio Lampredi’s four-cylinder Formula One programme. It arrived for the 1955 season as an update to the 553 Squalo, with revised weight distribution, new helical spring front suspension, and extended bodywork that earned it the name Supersqualo — Super Shark. Under the sculpted red panels sat a 2,497 cc Lampredi inline-four with a compression ratio of 13:1, producing 260 horsepower at 7,200 rpm through a five-speed gearbox. The car debuted at the Bordeaux Grand Prix on 24 April 1955.

Ferrari needed the Supersqualo to compete against the Mercedes-Benz W196, which Juan Manuel Fangio was driving to near-total dominance. But the car arrived with problems its predecessor had never resolved. The handling was poor. Paul Frère, who raced it at Monaco, later recalled that the Ferrari 555 Supersqualo was a beast around the circuit — it wanted to plough straight on at every hairpin. The drivers distrusted the car and often asked for the older 625 instead.

Chassis 555/1 carried two World Champions behind its wheel. Nino Farina — the sport’s first ever World Champion, in 1950 — drove it in non-championship races. Mike Hawthorn, who would become the first British driver to win the Formula One World Championship in 1958, raced it in World Championship events. Piero Taruffi and Paul Frère also drove this chassis. At the Belgian Grand Prix at Spa-Francorchamps, it finished fourth — one of the few World Championship points-scoring finishes for the Supersqualo that season.

The 1955 season was truncated by the aftermath of the Le Mans disaster, which led to the cancellation of several races. Ferrari’s only Grand Prix victory that year came at Monaco, where Maurice Trintignant won in a race remembered for Alberto Ascari’s accident that sent his Lancia into the harbour. Four days later, Ascari was killed testing at Monza. Meanwhile, Lampredi had left Ferrari after serious disagreements with Enzo, and the technical direction of the team was shifting.

By 1956, Ferrari had acquired the Lancia D50 design and most of the Scuderia moved to the new Lancia-Ferrari cars. Only Peter Collins continued to race the Ferrari 555 Supersqualo. It was the end of the Lampredi four-cylinder era in Formula One. The surviving cars were sold. Chassis 555/1 went through private hands, was modified for Formule Libre racing in Australia and New Zealand, and raced successfully through 1959 before being damaged in 1963. Its engine was removed and used in a boat.

Only two Ferrari 555 Supersqualos are known to survive today. Chassis 555/1, restored and maintained by Ferrari specialist Corrado Patella of Autofficina Omega in Northern Italy, has appeared at the Monaco Historic Grand Prix and the Goodwood Revival. This photograph captures the nose of the Supersqualo at close range — the Scuderia Ferrari red, the badge, the sculptural lines of a body designed to cut through air faster than anything Lampredi had built before.

Our Curation

This piece exists because of a friendship with a photographer who understands that the surface of a racing car carries as much history as its result sheet. The Ferrari 555 Supersqualo was photographed at close range, isolating the nose section — the gloss red bodywork, the Scuderia badge, the racing number, the aerodynamic lines of a car nicknamed the Super Shark.

From a larger body of work, this frame was selected for what it reveals about the relationship between identity and engineering in 1950s Formula One. The refinement process brought forward the depth of the paintwork and the reflections across the bodywork without altering the character of what was captured.

The result is not a reproduction. It is a perspective.

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MAINTENANCE TIPS

CARING FOR YOUR FINE ART PRINT

Giclée prints on archival cotton paper are made to last for generations when treated with care. Handle by the edges only. Keep away from direct sunlight, humidity, and heat sources. If displaying unframed, mount behind glass or plexiglass to protect the surface. To clean, dust the frame or glazing only with a soft, dry microfibre cloth. Never touch the print surface directly.

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