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Lewis Hamilton 44 — The Yellow Glove

STILL MOTION: COLLECTIBLE EDITION

44. Forty years of expectation culminate in a single, silent moment. Before the visor drops and the engines roar, there is the driver—and the glove.

This hand-drawn digital illustration isolates the tension of the transition. The Prancing Horse on the yellow leather—not on a car, but on the skin of the man about to drive it. The visible pencil sketch beneath the color is deliberate; it is the anticipation of a story just beginning to unfold.

Limited Edition (99 pcs)

Museum-Grade Paper

Made in Italy

Shipped Protected and Insured


Format:
Size:
SIZE GUIDE & MATERIAL SPECIFICATIONS

FINE ART PAPER PRINTS We use Hahnemühle Photo Rag 308gr — a 100% cotton, museum-grade paper from one of the world’s oldest fine art paper mills (founded in 1584). Every piece is Giclée printed with archival pigment inks to ensure deep, stable tones that will last for generations.

  • A3 (30 × 42 cm): Framed in a slim, elegant pine profile.

  • A2 (42 × 60 cm): Framed in a Premium Tiglio (lime wood) profile, hand-painted black.

  • Statement Piece (85 × 60 cm): Framed in a Premium Tiglio (lime wood) profile, hand-painted black.

All framed prints are finished with museum-grade acrylic glazing (plexiglass), the standard material used by galleries worldwide for safe transport, superior clarity, and lasting protection. The framed option adds a small, refined outer border beyond the print size.

ALUMINUM PRINTS Offered in two large-scale formats:

  • Collector’s Piece (approx. 100 cm wide)

  • Statement Piece (approx. 140 cm wide)

Printed on a 3 mm aluminum panel, finished on a white or brushed aluminum base (depending on what best elevates the image). Height varies by artwork — please refer to the specific product images for exact dimensions.

Aluminum Display Notes: For large formats, we recommend leaning the piece. If wall-mounted, use professional hardware suitable for the weight and surface.

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Sale price€249,00

Dispatched within 5–7 days · Free shipping Europe

100% Satisfaction Guarantee. Quality art, printed in Italy. Safe, insured shipping.

Lewis Hamilton 44 The Yellow Glove limited edition illustration in black gallery frame displayed at the Ferrari Collector Car Lounge in the Northern taly
Lewis Hamilton 44 — The Yellow Glove Sale price€249,00
Exclusive Lewis Hamilton and Ferrari automotive art, a limited edition of 99 museum-quality prints by Invictus Heights.

”Remarkable work. Passion in every detail.”

— A Ferrari Collector, France

Exclusive Lewis Hamilton and Ferrari automotive art, a limited edition of 99 museum-quality prints by Invictus Heights.

”A true collector’s piece — worthy and immediate addition to my collection.”

— A Ferrari Collector, Italy

Bespoke Still Motion fine art commission featuring a Ferrari F1 tribute, custom-made for a private collector.

”Pure passion. This artwork captures the very soul of motorsport."

— A Ferrari Collector, France

Learn more

FINE ART

Edition Details

person wearing a red jacket and yellow Ferrari glove

ONLY 99 PRINTS

Each artwork in this edition is part of a strictly limited edition of 99 — shared across all sizes and formats combined. Every certificate reads 1 of 99. The edition is not divided by size or format. Every buyer owns the same piece.

Hahnemühle Photo Rag Metallic paper

FINE ART PHOTOGRAPH

Printed on Hahnemühle Photo Rag 308gr — a 100% cotton museum-grade paper from one of the world's oldest paper mills, founded in 1584. Rich tones, crisp detail, and a calm matte surface that holds the photograph without reflection.

Limited edition Lewis Hamilton Ferrari glove artwork by Still Motion, shown unframed and in a black frame — hand-drawn digital illustration available as fine art print from Invictus Heights.

PRINT OR FRAMED

Unframed prints ship flat in rigid protective packaging, ready for your chosen frame. Framed editions are presented in a hand-painted black gallery frame with plexiglass glazing — the standard used by galleries worldwide for safe transport.

STILL MOTION SIGNATURE

LEWIS HAMILTON MOVED TO FERRARI IN 2025 CARRYING NUMBER 44. IT WAS THE FIRST TIME THE NUMBER HAD APPEARED ON A FERRARI SINCE MAURICE TRINTIGNANT WON THE 1955 MONACO GRAND PRIX.

Detail of Lewis Hamilton yellow Ferrari racing glove illustration showing Prancing Horse emblem and pencil sketch texture

BEFORE THE VISOR COMES DOWN

In January 2025, Lewis Hamilton drove a Ferrari Formula One car for the first time. It was a 2023-specification SF-23, wearing his number 44, at the Fiorano test track in Maranello. A crowd of roughly a thousand people gathered on a bridge above the circuit in cold, foggy weather to watch him complete thirty laps. Hamilton had spent twelve years and six World Championships at Mercedes. He was forty years old. He had said that driving for Ferrari was fulfilling a childhood dream.

The number 44 had never appeared on a Ferrari in the modern era of permanent race numbers, which began in 2014. But in the history of the sport, one Ferrari driver had already won a Grand Prix carrying that number: Maurice Trintignant, at the 1955 Monaco Grand Prix. It was the same season in which Trintignant drove the Ferrari 121 LM at Le Mans and the 555 Supersqualo in Formula One — two cars that also appear in this collection. Seventy years later, Hamilton brought the number back to Maranello.

Hamilton’s career statistics define the scale of the move. Seven World Championships, tied with Michael Schumacher for the most in history. Over 100 Grand Prix victories — the all-time record. Over 100 pole positions. The first and, at the time of writing, only Black driver to race in Formula One. His departure from Mercedes ended the most successful driver-constructor partnership in the sport’s history by multiple measures. His arrival at Ferrari was reported to be worth £41 million per year. Within weeks of his signing, Ferrari’s merchandise partner Puma reported an eightfold increase in apparel sales.

The glove is the last thing a driver puts on before the helmet. It is the point of contact between the human hand and the machine — the steering wheel, the paddle shifters, the buttons that control engine modes and differential settings. Hamilton’s gloves for Ferrari are yellow, matching the colour he adopted for his helmet design in recent seasons. The Prancing Horse appears on the back of each glove. It is a small detail, easy to miss in broadcast footage, but it carries the entire weight of the transfer: the most successful driver in Formula One history wearing the most famous emblem in motorsport on his skin.

This piece is a hand-drawn digital illustration, not a photograph. The technique combines precise digital rendering with visible pencil-sketch underdrawing, leaving the construction of the image partially exposed. The colour is completed where it matters — the yellow of the glove, the red of the Prancing Horse, the black of the number 44. The rest remains in graphite. The effect is intentional: this is not a finished moment. It is the moment before the moment. The silence before the visor comes down and the engine fires.

The edition size is 99 — larger than the standard Still Motion edition of 49 — reflecting the scale of the subject and the audience it speaks to. Lewis Hamilton’s move to Ferrari is the most significant driver transfer in Formula One history. This illustration exists to mark the moment it became real: not the first lap, not the first race, but the instant before both, when the glove goes on and the Prancing Horse touches the driver’s hand for the first time.

Our Curation

This piece was created in-house as part of the Still Motion art line. The illustration was developed as a response to the most significant driver transfer in Formula One history — not as a portrait of Hamilton, but as an isolation of the single detail that carries the emotional weight of the move: the glove.

The hand-drawn digital technique was chosen deliberately. The visible pencil sketch beneath the colour creates a sense of anticipation — something not yet completed, a story about to begin. The yellow of the glove and the red of the Prancing Horse are rendered in full; everything else is held back. The composition isolates the hand from the car, the circuit, and the camera, placing the viewer in the moment that belongs only to the driver.

The result is not a reproduction. It is a perspective.

GOING DEEPER

COLLECTING

What it means to own a Still Motion edition — the standard, the certificate, the care.

What collectors should know

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Two framed modern art prints featuring close-ups of red, white, and orange race car elements hanging on a white wall

MAINTENANCE TIPS

CARING FOR YOUR FINE ART PRINT

Giclée prints on archival cotton paper are made to last for generations when treated with care. Handle by the edges only. Keep away from direct sunlight, humidity, and heat sources. If displaying unframed, mount behind glass or plexiglass to protect the surface. To clean, dust the frame or glazing only with a soft, dry microfibre cloth. Never touch the print surface directly.