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Size comparison showing A3, A2, and Statement format options for the fine art photograph.

Alfa Romeo P2 (1925) Set

STILL MOTION SIGNATURE

Three photographs. One car. One complete story.

The Alfa Romeo P2 Triptych brings together Act I, Act II, and Act III — the detail, the silhouette, and the mechanical soul of the machine that secured the first-ever Grand Prix World Championship in 1925. Captured amidst the timeless elegance of Concorso d'Eleganza Villa d'Este, these frames document the birth of racing's most storied lineage.

A study in the mechanical genesis of the Grand Prix legend.

Limited Edition of 49. Printed on Hahnemühle museum-grade paper. Signed, numbered, and accompanied by a dedicated Certificate of Authenticity covering all three pieces. Made in Italy.

Limited Edition (49 pcs)

Museum-Grade Paper

Made in Italy

Certificate of Authenticity

Shipped Protected and Insured

Format:

Unframed Framed

Size:

A2 A3 Statement

Variant

€640,00

Dispatched within 5–7 days · Free shipping Europe

100% Satisfaction Guarantee. Quality art, printed in Italy. Safe, insured shipping.

Complete the Triptych Acts I, II & III — €369 · Save €98 vs. buying separately

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Production & Quality

Each photograph in the Alfa Romeo P2 Triptych is printed on Hahnemühle Photo Rag 308gr — a 100% cotton museum-grade paper from one of the world's oldest fine art paper mills, founded in 1584. Giclée printed with archival pigment inks for deep, stable tones that last for generations.

Available in A3 and A2 and Statement, framed or unframed.

Framed pieces are presented in a slim black gallery frame with plexiglass glazing — the material used by galleries worldwide for safe transport and lasting protection. A3 framed uses a slim pine profile. A2 framed uses a Premium tiglio (lime wood) frame, hand-painted black.

Every piece is signed and numbered and ships with a Certificate of Authenticity from Invictus Heights — Still Motion. Edition of 49, distributed across all sizes and formats combined.

Shipping

Each piece is printed to order and dispatched within 5–7 days. Delivery across Europe typically takes 3–5 working days from dispatch. All orders are packaged to protect the artwork in transit — unframed prints in rigid flat packaging, framed pieces in reinforced protective boxing.

Tracking details are shared as soon as your order ships. Delivery times may vary during peak periods. Taxes and duties may apply outside the EU depending on destination.

For corporate or bulk orders, contact us directly at atelier@invictusheights.com.

Returns

Each piece is printed to order. All sales are final.

If your artwork arrives damaged, contact us within 72 hours of delivery at atelier@invictusheights.com with photographs of the outer box, the internal packaging, and the damage itself. Once confirmed, we arrange return shipment at our cost and issue a replacement or full refund upon receipt.

This policy protects the integrity of each edition and ensures every serial number remains unique within the Still Motion registry.

Alfa Romeo P2 (1925) Set

€640,00

FINE ART

Edition Details

A framed photograph of a vintage red Alfa Romeo P2 race car, numbered 30

ONLY 49 PRINTS

Each photograph in this triptych is part of a strictly limited edition of 49 — shared across all sizes and formats combined. Every certificate reads 1 of 49. The edition is not divided by size or format. Every buyer owns the same piece.

FINE ART PHOTOGRAPH

Printed on Hahnemühle Photo Rag 308gr — a 100% cotton museum-grade paper from one of the world's oldest paper mills, founded in 1584. Rich tones, crisp detail, and a calm matte surface that holds the photograph without reflection.

Two framed posters of a vintage red race car with the number 30

PRINT OR FRAMED

Unframed prints ship flat in rigid protective packaging, ready for your chosen frame. Framed editions are presented in a hand-painted black gallery frame with plexiglass glazing — the standard used by galleries worldwide for safe transport.

Still Motion Signature

Three frames. Three details. One machine that won the world championship in 1925, survived a fire at the Targa Florio in 1930, and still looks like nothing that came after it.

A framed photograph of a vintage red race car with the number "30," leaning against a grey wall on a wooden surface.

THE ALFA ROMEO P2 TRIPTYCH

The Alfa Romeo P2 did not arrive quietly.

Designed by Vittorio Jano — recruited personally from Fiat by Enzo Ferrari to transform Alfa Romeo's racing programme — the P2 was built for one purpose: to win. In 1925 it won the inaugural Formula Grand Prix World Championship, becoming the first car to claim that title. Alfa Romeo painted Campione del Mondo on its flanks. It was not a boast. It was a fact.

The triptych tells the complete story of the car through three perspectives — each one revealing something the others cannot.

Act I isolates the vertical spare wheel recessed into the fuel tank — the engineering detail that defined the car's silhouette and nearly ended its greatest race. At the 1930 Targa Florio, vibrations from the mountain roads cracked the fuel tank and ignited a fire mid-competition. Achille Varzi's mechanic smothered the flames with a cloth without stopping. They kept racing. They won.

Act II shows the complete car from directly above — the full silhouette, the long tail, the open cockpit, the number 30. The aerial perspective reveals what no other angle can: every line purposeful, nothing decorative, nothing wasted. A machine shaped entirely for victory.

Act III goes closest — to the louvered bonnet, the exhaust pipe, the hand-riveted aluminium panels, the clamps biting into metal that has been to the Targa Florio and back. The supercharged straight-eight produced 128 horsepower in a car weighing 700 kilograms. Here, at the junction of structure and heat, you can feel what that meant.

Together the three pieces form a complete document of one of the greatest racing cars ever built.

Our Curation

This triptych exists because of a friendship with one of the most knowledgeable automotive connoisseurs in the world — someone with access to events and machines never open to the public.

All three photographs were taken at Concorso d'Eleganza Villa d'Este. No crowds. No barriers. Just the car, the light, and someone who has spent a lifetime understanding both. From that body of work these three frames were selected — not the most spectacular angles, but the most honest ones. The ones that show what the P2 actually is. Scarred. Asymmetric. Uncompromising.

Each image was refined to bring out exactly what the eye saw standing next to that car in the light of Villa d'Este. The result is not a reproduction. It is a perspective. Three of them.

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MAINTENANCE TIPS

CARING FOR YOUR FINE ART PRINT

Giclée prints on archival cotton paper are made to last for generations when treated with care. Handle by the edges only. Keep away from direct sunlight, humidity, and heat sources. If displaying unframed, mount behind glass or plexiglass to protect the surface. To clean, dust the frame or glazing only with a soft, dry microfibre cloth. Never touch the print surface directly.

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