Skip to content

Cart

Your cart is empty

Ferrari F40 LM Michelotto

Luca Crotti

Michelotto Automobili built nineteen Ferrari F40 LMs. Each started as a standard F40 road car and was stripped, reinforced, and rebuilt into a racing machine producing 720 horsepower from a twin-turbocharged 2.9-litre V8 running 2.35 bar of boost. The conversion was commissioned by Daniel Marin of Charles Pozzi SA and sanctioned by the Ferrari factory. Jean Alesi drove the first one at Laguna Seca in 1989. The F40 LM hit 229 mph at the Nardo Speed Bowl. It was the most powerful version of the last car Enzo Ferrari personally approved.

This photograph isolates the front of the F40 LM at close range. The low splitter, the fixed headlights, the NACA ducts cut into the bodywork for brake cooling. The red is deep and unbroken. The composition crops tight, filling the frame with the elements that separate the LM from the road car it was built on: the aerodynamic modifications that Michelotto added to turn a supercar into a weapon.

A study in the weaponization of the F40 form.

Limited edition archival aluminium print. Signed and numbered. Edition of 25. Made in Italy.

Limited Edition (25 pcs)

Made in Italy

Archival Aluminum Print

Ready to Hang


Size:
SIZE GUIDE & MATERIAL SPECIFICATIONS

FINE ART PAPER PRINTS We use Hahnemühle Photo Rag 308gr — a 100% cotton, museum-grade paper from one of the world’s oldest fine art paper mills (founded in 1584). Every piece is Giclée printed with archival pigment inks to ensure deep, stable tones that will last for generations.

  • A3 (30 × 42 cm): Framed in a slim, elegant pine profile.

  • A2 (42 × 60 cm): Framed in a Premium Tiglio (lime wood) profile, hand-painted black.

  • Statement Piece (85 × 60 cm): Framed in a Premium Tiglio (lime wood) profile, hand-painted black.

All framed prints are finished with museum-grade acrylic glazing (plexiglass), the standard material used by galleries worldwide for safe transport, superior clarity, and lasting protection. The framed option adds a small, refined outer border beyond the print size.

ALUMINUM PRINTS Offered in two large-scale formats:

  • Collector’s Piece (approx. 100 cm wide)

  • Statement Piece (approx. 140 cm wide)

Printed on a 3 mm aluminum panel, finished on a white or brushed aluminum base (depending on what best elevates the image). Height varies by artwork — please refer to the specific product images for exact dimensions.

Aluminum Display Notes: For large formats, we recommend leaning the piece. If wall-mounted, use professional hardware suitable for the weight and surface.

Click here for more

Sale price€596,00

Dispatched within 5–7 days · Free shipping Europe

100% Satisfaction Guarantee. Quality art, printed in Italy. Safe, insured shipping.

Close-up front detail of Ferrari F40 LM Michelotto showing low splitter fixed headlights and NACA ducts in red
Ferrari F40 LM Michelotto Sale price€596,00

ALUMINIUM PRINT

Edition Details

Close-up of '01/25' engraved on a brushed metallic surface

ONLY 25 PRINTS

Each piece is part of a strictly limited edition of 25 — shared across both sizes combined. Every certificate reads 1 of 25. The edition is not divided by size or format. Every buyer owns the same piece.

A black and white photograph of a vintage silver Ferrari 250 GTO parked on grass.

ALUMINIUM PRINT

Printed on a 3mm aluminium panel with archival pigment inks. Deep colour saturation, crisp detail, and a soft satin surface with minimal glare. Lightweight, rigid, and built to last for decades without fading or degradation.

Porsche 917 classic racing car

FRAMELESS & READY

The aluminium panel arrives ready to display — no framing required. Lean it on a surface or hang it directly on the wall. The slim edges and clean surface work in any space.

Still Motion Signature

MICHELOTTO BUILT NINETEEN FERRARI F40 LMs. EACH STARTED AS A ROAD CAR AND WAS REBUILT INTO 720 HORSEPOWER. 229 MPH AT NARDO. JEAN ALESI AT LAGUNA SECA. THE MOST POWERFUL VERSION OF THE LAST CAR ENZO FERRARI PERSONALLY APPROVED.

Classic Ferrari F40 driving at night with glowing headlights and a busy race track background

THE ROAD CAR THEY TURNED INTO A WEAPON

The Ferrari F40 was never supposed to race. It was built in 1987 to celebrate Ferrari’s 40th anniversary — the last car Enzo Ferrari personally approved before his death in August 1988. It was designed by Nicola Materazzi with styling by Pininfarina, powered by a twin-turbocharged 2.9-litre V8 producing 478 horsepower, and built with a carbon fibre and Kevlar body on a steel tubular chassis. Ferrari produced 1,311 units. The original price was $400,000. It was the first production car to exceed 200 mph.

Daniel Marin, managing director of Charles Pozzi SA — Ferrari’s official French importer — changed that. Marin convinced Ferrari to sanction a racing version. The work was entrusted to Giuliano Michelotto and Michelotto Automobili in Padua, a firm that had previously built the Ferrari 512 BB LM, the 308 GTB rally cars, and contributed to the 288 GTO Evoluzione. Michelotto started with standard F40 road cars and converted them. The LM designation stood for Le Mans, though ironically the F40 LM never raced there.

The modifications were comprehensive. The Tipo F120 B engine received larger IHI turbochargers running up to 2.35 bar of boost, revised camshafts, larger Behr intercoolers, and a modified fuel management system. In IMSA specification, the engine produced 720 horsepower. In European GTC specification, it reached 760 — and in qualifying trim, Michelotto quoted up to 850. The bodywork was revised with a front splitter, enlarged NACA ducts for brake cooling, underbody venturi, and an adjustable rear wing controllable from the cockpit. Weight dropped to approximately 1,050 kg. At the Nardo Speed Bowl in February 1989, test driver Dario Benuzzi recorded 229 mph.

The Ferrari F40 LM made its competitive debut at Laguna Seca in October 1989 in the IMSA GTO series, driven by Jean Alesi — who would join Ferrari’s Formula One team the following year. In 1990, Ferrari France entered two F40 LMs in selected IMSA races with drivers including Jean-Pierre Jabouille, Jacques Laffite, and Hurley Haywood, taking multiple podium finishes. The car later won the 4 Hours of Vallelunga in 1994 and the 4 Hours of Anderstorp in 1995. The F40 LM competed until the McLaren F1 GTR made it obsolete in the mid-1990s.

Michelotto built a total of nineteen F40 LMs. Many never raced — they went directly into private collections. Values have risen dramatically. In 2013, one sold at Gooding & Company in Monterey for $2.09 million. In 2015, another reached $3.3 million at RM Sotheby’s. The GTC-specification cars, of which only four were built, are the most powerful and most sought after. One is in the Ferrari Museum in Maranello.

This photograph captures the Ferrari F40 LM at close range, isolating the front of the car — the low splitter, the fixed headlights, the NACA ducts cut into the bodywork. These are the details that separate the LM from the 1,311 road cars it was built on. On aluminium, the red gains a depth and saturation that mirrors the material reality of the car itself — a body made of carbon fibre and Kevlar, printed on a panel made of metal.

Our Curation

This piece exists because of a friendship with Quentin Martinez, a photographer who understands that the difference between a road car and a racing car is visible in the details, not the silhouette. The Ferrari F40 LM was photographed at close range, isolating the front-end modifications that Michelotto added — the splitter, the ducts, the fixed headlights.

From a larger body of work, this frame was selected for the tight crop that fills the image with the car’s intent. The aluminium format was chosen because the unbroken red of the F40 LM’s bodywork responds to the metallic substrate with a depth and vibrancy that makes the image feel less like a photograph and more like a surface you could touch.

The result is not a reproduction. It is a perspective.

GOING DEEPER

COLLECTING

What it means to own a Still Motion edition — the standard, the certificate, the care.

What collectors should know

committed

The principles behind every piece we produce and every decision we make.

Our commitments

Why We Choose Aluminium

Vibrant & Luminous

Metal holds light differently. Colours reach a depth and intensity that paper cannot replicate — because aluminium doesn't just carry the image. It shares its DNA with the subject.

Built to Last

A 3mm archival panel, resistant to fading and built for real spaces. These are not posters. They are made to outlast the walls they hang on.

Modern & Frameless

No frame competes with the image. Slim edges, clean surface — leaned against a sideboard or mounted with spacers, the photograph owns the room.

Cinematic motion blur of a racing car at speed, capturing the raw emotion of motorsport for Invictus Heights.
Exclusive Lewis Hamilton and Ferrari automotive art, a limited edition of 99 museum-quality prints by Invictus Heights.

”A true collector’s piece — worthy and immediate addition to my collection.”

— A Ferrari Collector, Italy

Explore work
Bespoke Still Motion fine art commission featuring a Ferrari F1 tribute, custom-made for a private collector.

”Pure passion. This artwork captures the very soul of motorsport."

— A Ferrari Collector, France

Learn more
Close-up of brushed aluminum, highlighting the depth and light play of Invictus Heights limited edition automotive art.

MAINTENANCE TIPS

CARING FOR YOUR ALUMINIUM PRINT

Aluminium panels were first developed for demanding outdoor use, then adopted for high-end photography and art prints. When handled with care and kept away from harsh chemicals and extreme sunlight, they are made to last for decades.
To keep your Still Motion piece at its best, dust it occasionally with a soft, dry microfiber cloth. Avoid glass cleaners, abrasive sponges, and direct sunlight or very humid spaces for long periods.