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Ferrari 500 Mondial – The Rubirosa Car

QUENTIN MARTINEZ

Porfirio Rubirosa bought this Ferrari 500 Mondial new in July 1954. Chassis 0438MD — the twelfth of twenty-two Series I Pinin Farina Mondials built. He shipped it to California and raced it at the Santa Barbara Road Races carrying number 235, with Zsa Zsa Gabor at his side in the pits. Four months later, James Dean was photographed sitting in the same car.

This photograph captures the Ferrari 500 Mondial low and wide against a deep green field. The Blu 305 bodywork, the race number still legible, the Pinin Farina coachwork that scaled down the proportions of the 375 MM into a car built around a 2-litre all-alloy four-cylinder engine. Nothing added. Nothing removed.

A study in the cinematic elegance of racing history.

Limited edition archival aluminium print. Signed and numbered. Edition of 25. Made in Italy.

Limited Edition (25 pcs)

Made in Italy

Archival Aluminum Print

Ready to Hang


Size:
SIZE GUIDE & MATERIAL SPECIFICATIONS

FINE ART PAPER PRINTS We use Hahnemühle Photo Rag 308gr — a 100% cotton, museum-grade paper from one of the world’s oldest fine art paper mills (founded in 1584). Every piece is Giclée printed with archival pigment inks to ensure deep, stable tones that will last for generations.

  • A3 (30 × 42 cm): Framed in a slim, elegant pine profile.

  • A2 (42 × 60 cm): Framed in a Premium Tiglio (lime wood) profile, hand-painted black.

  • Statement Piece (85 × 60 cm): Framed in a Premium Tiglio (lime wood) profile, hand-painted black.

All framed prints are finished with museum-grade acrylic glazing (plexiglass), the standard material used by galleries worldwide for safe transport, superior clarity, and lasting protection. The framed option adds a small, refined outer border beyond the print size.

ALUMINUM PRINTS Offered in two large-scale formats:

  • Collector’s Piece (approx. 100 cm wide)

  • Statement Piece (approx. 140 cm wide)

Printed on a 3 mm aluminum panel, finished on a white or brushed aluminum base (depending on what best elevates the image). Height varies by artwork — please refer to the specific product images for exact dimensions.

Aluminum Display Notes: For large formats, we recommend leaning the piece. If wall-mounted, use professional hardware suitable for the weight and surface.

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Sale price€596,00

Dispatched within 5–7 days · Free shipping Europe

100% Satisfaction Guarantee. Quality art, printed in Italy. Safe, insured shipping.

Ferrari 500 Mondial chassis 0438MD in Blu 305 photographed low and wide against green field showing Pinin Farina bodywork and race number 235
Ferrari 500 Mondial – The Rubirosa Car Sale price€596,00

ALUMINIUM PRINT

Edition Details

Close-up of '01/25' engraved on a brushed metallic surface

ONLY 25 PRINTS

Each piece is part of a strictly limited edition of 25 — shared across both sizes combined. Every certificate reads 1 of 25. The edition is not divided by size or format. Every buyer owns the same piece.

A black and white photograph of a vintage silver Ferrari 250 GTO parked on grass.

ALUMINIUM PRINT

Printed on a 3mm aluminium panel with archival pigment inks. Deep colour saturation, crisp detail, and a soft satin surface with minimal glare. Lightweight, rigid, and built to last for decades without fading or degradation.

Porsche 917 classic racing car

FRAMELESS & READY

The aluminium panel arrives ready to display — no framing required. Lean it on a surface or hang it directly on the wall. The slim edges and clean surface work in any space.

Still Motion Signature

PORFIRIO RUBIROSA BOUGHT THIS FERRARI 500 MONDIAL NEW IN JULY 1954. HE RACED IT AT SANTA BARBARA WITH ZSA ZSA GABOR IN THE PITS. FOUR MONTHS LATER, JAMES DEAN WAS PHOTOGRAPHED AT THE WHEEL.

vintage Ferrari 500 Mondial.

THE PLAYBOY’S FERRARI

The Ferrari 500 Mondial was built to win the 1954 World Sports Car Championship. Ferrari’s engineers believed that a four-cylinder engine could deliver better low-end torque than a twelve, and that its lighter weight would improve acceleration out of corners. The result was an all-alloy 2-litre engine based on Ferrari’s Formula 2 units, producing 160 horsepower at 6,500 rpm through two Weber DCO carburettors. The Series I cars wore Pinin Farina coachwork that scaled down the proportions of the larger 375 MM. Twenty-two were built. The 500 Mondial helped Ferrari win its second consecutive Sports World Championship in 1954.

Chassis 0438MD was the twelfth Series I Ferrari 500 Mondial completed. It was sold new in July 1954 to Porfirio Rubirosa — Dominican diplomat, polo player, amateur racing driver, and by most accounts the most famous international playboy of the twentieth century. Rubirosa was a man who flew converted B-52 bombers for personal travel, married two of the wealthiest women in America (Doris Duke and Barbara Hutton), and moved between the Kennedys in Hyannis Port, the Dubonnets in Cap Ferrat, and Sinatra in Hollywood with the ease of someone who belonged everywhere and nowhere.

Rubirosa shipped the Ferrari 500 Mondial to California and entered the 1954 Santa Barbara Road Races carrying race number 235. He arrived at the circuit with Zsa Zsa Gabor, recently divorced, at his side. The car was red. The crowd was paying attention. Rubirosa was not Phil Hill — he was a capable amateur, fast enough to be competitive and well-connected enough to always have the right car. Shortly after Santa Barbara, James Dean was photographed sitting in the same Ferrari 500 Mondial in May 1955, four months before his fatal crash near Paso Robles.

Rubirosa sold chassis 0438MD to John von Neumann, the Los Angeles Ferrari dealer who was instrumental in building Ferrari’s presence on the American West Coast. Von Neumann campaigned the car in numerous California races. During a race at Torrey Pines, a broken connecting rod destroyed the original engine. With a 3-litre Monza engine installed, von Neumann entered the car — now nicknamed the ‘Monzetta’ — at the 1956 Pebble Beach Road Races, finishing tenth in the Del Monte Trophy. It was the last race ever held on the Pebble Beach road circuit.

The car was later restored with a Ferrari Classiche engine and received Red Book certification. At the 2008 Pebble Beach Concours d’Elegance, chassis 0438MD was awarded first in its class. Bonhams has described its provenance as unrivalled — a roll call that includes Rubirosa, Zsa Zsa Gabor, James Dean, Phil Hill, John von Neumann, and Richie Ginther. It has been valued in the region of $2.9 million.

This photograph captures chassis 0438MD low and wide against a deep green field. The Blu 305 paintwork and the race number 235 are visible on the bodywork. The Pinin Farina coachwork — the rounded nose, the low windscreen, the tapered tail — is presented exactly as it was when Rubirosa loaded it onto a ship to California seventy years ago. On aluminium, the blue of the bodywork gains a depth and metallic quality that paper cannot reproduce — the same material logic that connects the print to the car.

Our Curation

This piece exists because of a friendship with Quentin Martinez, a photographer who has spent years gaining access to the most significant cars in private collections. The Ferrari 500 Mondial chassis 0438MD was photographed in a setting chosen to isolate the car against open landscape — no studio, no barriers, nothing between the viewer and the Pinin Farina bodywork.
From a larger body of work, this frame was selected for the low, wide composition that places the viewer at the car’s shoulder line, where the proportions of the 500 Mondial are most visible. The aluminium format was chosen because the Blu 305 paintwork responds to the substrate with a depth and luminosity that mirrors the metallic quality of the car itself.
The result is not a reproduction. It is a perspective.

GOING DEEPER

COLLECTING

What it means to own a Still Motion edition — the standard, the certificate, the care.

What collectors should know

committed

The principles behind every piece we produce and every decision we make.

Our commitments

Why We Choose Aluminium

Vibrant & Luminous

Metal holds light differently. Colours reach a depth and intensity that paper cannot replicate — because aluminium doesn't just carry the image. It shares its DNA with the subject.

Built to Last

A 3mm archival panel, resistant to fading and built for real spaces. These are not posters. They are made to outlast the walls they hang on.

Modern & Frameless

No frame competes with the image. Slim edges, clean surface — leaned against a sideboard or mounted with spacers, the photograph owns the room.

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MAINTENANCE TIPS

CARING FOR YOUR ALUMINIUM PRINT

Aluminium panels were first developed for demanding outdoor use, then adopted for high-end photography and art prints. When handled with care and kept away from harsh chemicals and extreme sunlight, they are made to last for decades.
To keep your Still Motion piece at its best, dust it occasionally with a soft, dry microfiber cloth. Avoid glass cleaners, abrasive sponges, and direct sunlight or very humid spaces for long periods.