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Porsche 917K — Gulf

QUENTIN MARTINEZ

The Porsche 917K won thirteen World Championship races in 1970 and 1971. It gave Porsche its first overall victory at the 24 Hours of Le Mans. K stands for Kurzheck — short tail — the body configuration that solved the car’s lethal high-speed instability and turned it from a machine no driver wanted to race into the most dominant sports car of its era.

This photograph places the Porsche 917K in darkness. A single headlight cuts through the black. The Gulf blue and orange emerge from shadow, while stacked tyres frame the composition. The car is still, but the angle and the light suggest it is waiting, not resting. It is the quiet before the roar, captured away from the circuit, in a moment of pure, mechanical anticipation.

A study in the dormant dominance of a racing legend.

Limited edition archival aluminium print. Signed and numbered. Edition of 25. Made in Italy.

Limited Edition (25 pcs)

Made in Italy

Archival Aluminum Print

Ready to Hang


Sizes:
Sale price€596,00

Dispatched within 5–7 days · Free shipping Europe

100% Satisfaction Guarantee. Quality art, printed in Italy. Safe, insured shipping.

Porsche 917K in Gulf blue and orange livery photographed in darkness with single headlight illuminated and stacked tyres in foreground
Porsche 917K — Gulf Sale price€596,00

ALUMINIUM PRINT

Edition Details

Close-up of '01/25' engraved on a brushed metallic surface

ONLY 25 PRINTS

Each piece is part of a strictly limited edition of 25 — shared across both sizes combined. Every certificate reads 1 of 25. The edition is not divided by size or format. Every buyer owns the same piece.

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ALUMINIUM PRINT

Printed on a 3mm aluminium panel with archival pigment inks. Deep colour saturation, crisp detail, and a soft satin surface with minimal glare. Lightweight, rigid, and built to last for decades without fading or degradation.

Porsche 917 classic racing car

FRAMELESS & READY

The aluminium panel arrives ready to display — no framing required. Lean it on a surface or hang it directly on the wall. The slim edges and clean surface work in any space.

Still Motion Signature

THIRTEEN WORLD CHAMPIONSHIP WINS IN TWO SEASONS. PORSCHE’S FIRST OVERALL VICTORY AT LE MANS. A FLAT-TWELVE ENGINE THAT GREW FROM 4.5 TO 5.0 LITRES AND 630 HORSEPOWER. STEVE McQUEEN FILMED IT. THE GULF LIVERY MADE IT IMMORTAL.

An abstract painting featuring a large black number '1' inside a circle

THE CAR NOBODY WANTED TO DRIVE

The Porsche 917 exists because of a loophole. In 1968, the Commission Sportive Internationale announced that prototype engines would be limited to 3.0 litres, but created a new Group 4 sports car category allowing up to 5.0 litres — provided at least 25 units were built for homologation. Porsche, already developing the 3-litre 908, made the decision to build a second car for Group 4. They constructed 25 chassis in ten months. When the CSI inspectors arrived at Zuffenhausen to verify production, all 25 cars were lined up in the factory. The 917 was homologated.

The first tests were alarming. The 917 wandered under braking and was unstable at high speed. None of Porsche’s regular drivers wanted to race it. The car’s debut at Le Mans in 1969 produced speed — it qualified on the front row — but not reliability. The solution came from John Wyer, the former Aston Martin team manager who had run the Gulf-sponsored Ford GT40s to victory at Le Mans in 1968 and 1969. Porsche offered Wyer seven cars on loan, free parts, and priority on all new developments. Wyer accepted. His engineers redesigned the rear bodywork, creating the Kurzheck — short tail — configuration that solved the stability problem. The 917K was born.

The Porsche 917K’s first race was the 1970 24 Hours of Daytona. John Wyer’s Gulf team finished first and second, breaking the distance record by 190 miles. That season, the 917K won seven World Championship races. At Le Mans, it was the red and white Porsche Salzburg car of Hans Herrmann and Richard Attwood that took Porsche’s first overall victory — not the Gulf cars, all three of which retired. But John Wyer’s operation dominated everywhere else: Brands Hatch, Monza, the Targa Florio, Spa-Francorchamps, Watkins Glen.

The 1971 season was equally devastating. The 917K won six more championship races. The engine, originally 4.5 litres producing 520 horsepower in 1969, had been enlarged through 4.9 litres to a full 5.0 litres producing 630 horsepower. A magnesium-chassied 917K won Le Mans outright. By the end of 1971, Porsche had won every prize available in sports car racing. The FIA then banned Group 5 cars from the World Championship, limiting engines to 3.0 litres for 1972. The 917’s era was over in the championship — though a turbocharged version, the 917/30, would go on to dominate Can-Am so completely that the series collapsed.

Steve McQueen filmed the 917K at Le Mans in 1970. His production company, Solar Productions, used actual race footage alongside dramatised sequences shot on the circuit over the following months. The Gulf-liveried 917K — number 22 — crosses the line first in the film, driven by co-star Christopher Waite as McQueen’s character sacrifices his own chances for a team victory. The film sealed the Gulf 917K’s place in popular culture permanently. The sky blue and orange livery, designed for John Wyer’s team by Gulf Oil, became the most recognised colour scheme in the history of motorsport.

This photograph captures the Porsche 917K in Gulf livery in near-total darkness. A single headlight is illuminated. The blue and orange bodywork emerges from the black. Stacked tyres frame the car. The composition strips away everything except the car itself — no circuit, no crowd, no motion blur. On aluminium, the Gulf blue gains a depth and luminosity impossible to achieve on paper. The orange glows. The darkness holds.

Our Curation

This piece exists because of a friendship with Quentin Martinez, a photographer who understands that the most powerful images of racing cars are sometimes taken when the car is not racing. The Porsche 917K was photographed in controlled conditions with a single headlight illuminated, isolating the Gulf livery against total darkness.

From a larger body of work, this frame was selected for the way the composition uses shadow to reveal the car’s form rather than flood it with light. The aluminium format was chosen because the Gulf blue and orange respond to the metallic substrate with a vibrancy that paper cannot match — the colours glow against the dark surround in a way that echoes the headlight cutting through the image.

The result is not a reproduction. It is a perspective.

GOING DEEPER

COLLECTING

What it means to own a Still Motion edition — the standard, the certificate, the care.

What collectors should know

committed

The principles behind every piece we produce and every decision we make.

Our commitments

Why We Choose Aluminium

Vibrant & Luminous

Metal holds light differently. Colours reach a depth and intensity that paper cannot replicate — because aluminium doesn't just carry the image. It shares its DNA with the subject.

Built to Last

A 3mm archival panel, resistant to fading and built for real spaces. These are not posters. They are made to outlast the walls they hang on.

Modern & Frameless

No frame competes with the image. Slim edges, clean surface — leaned against a sideboard or mounted with spacers, the photograph owns the room.

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MAINTENANCE TIPS

CARING FOR YOUR ALUMINIUM PRINT

Aluminium panels were first developed for demanding outdoor use, then adopted for high-end photography and art prints. When handled with care and kept away from harsh chemicals and extreme sunlight, they are made to last for decades.
To keep your Still Motion piece at its best, dust it occasionally with a soft, dry microfiber cloth. Avoid glass cleaners, abrasive sponges, and direct sunlight or very humid spaces for long periods.